Killing Off Cable

Scrolling back through my blog posts, I see I have failed to document my recent explorations in the land of "mass media trends". Although my 50-something life is 2-3 decades away from the 20-somethings that have pioneered this movement, I've joined the ranks of those who have cut the cable.

Of course, being me, it was a gradual process. I toyed with the idea a few years back - had an old analog CRT television that I've owned for 25+ years, so I picked up a digital converter and tried to see what I could get over the air. At that time, and with that technology, the answer was "not much" - so I returned the converter and stayed connected. However, somewhere along the line I realized I was spending blocks of time on the couch watching reality show reruns (Pawn Stars, American Pickers, and Storage Wars were faves) and that was just stupid, so I downgraded my cable to the lifeline or tier - a handful of broadcast channels, TBS, the weather channel, and NECN. And that seemed to work fine - I missed a few things (Rachel Maddow,  Daily Show) but I survived.

A few months back, in a fit of late winter pique, I did a little retail therapy, and bought an inexpensive LCD digital television. While I was there, I decided to pick up a digital antenna, and the combination of reasonable channel selection and the superior HDTV picture made me rethink the cable decision. Specifically, to get HDTV I'd have to upgrade my cable plan to something more expensive (uh, no) and I realized that I got almost everything over the air (plus a few) that I was getting from lifeline.

So I disconnected the cable boxes (I had a converter for a seldom used small TV down in the office) and kept them in a box, just in case I had recriminations. A few weeks later, when Comcast (in their wisdom, and abetted no doubt by efficiencies in the US Postal Service) gifted me with no fewer than four (4) bundle offers on the same day, I decided to take the boxes back and kill off cable entirely.

In the ensuring days, I've been relatively happy with over the air broadcast, although my inability to capture WTNH 8 (ABC affiliate out of New Haven) was causing some angst (Grey's Anatomy is my one primetime vice). So this last week I bought a 100' of CATV cable and ran the indoor antenna (through the house) to the second floor and pointed it south. And voila - WTNH-8 came in (along with a few other lower power stations). I've since run the antenna cable through the basement and outside, and am awaiting a better exterior antenna (designed to mount inconspicuously and with an amplifier which might work even better)

So, here's what I get on my television, over the air and for free:

3.1 - WFSB 3 / CBS
3.3 - Mostly weather / some news

8.1 - WTNH 8 / ABC
8.2 - Bounce TV (african-american)

18 - Four spanish language stations

20.1 - WCCT / CW
20.2 - This TV (movies and reruns)

24.1 - CPTV Main
24.2 - CPTV4U
24.3 - CPTVS (mostly local sports)

26.1 - ION
26.2 - qubo (kids)
26.3 - ION Life


30.1 - WVIT 30 / NBC
30.1 - COZI (movies and reruns)

59.1- WCTX (MYTV-9) - sketchy reception

61.1 - Fox 61
61.2 - Antenna TV (movies and reruns, think Nick at Night)

More content, actually, then the lifeline cable I was buying - the only thing I really miss is NECN which was a decent substitute for CNN / MSNBC mostly.

What makes it work for me is my Roku Box, which gives me high quality shows via several services. Netflix (long time subscriber, via Roku and iPad), PBS (like having a public television DVR, amazing), Hulu Plus (I stopped subscribing but might sign up again if I find some broadcast shows I like). That, plus the ABC and NBC iPad apps (to catch things I've missed) and my media life is doing fine.

The Gun and Ammunition Tax

This one came to me in the shower this morning. Listening to NPR's coverage of the most recent mass shooting, along with discussiosn about the disbursement of funds to victims of the Boston Marathon bombings.

Clearly, the gun lobby is not about to change - we're stuck with guns, we're stuck with ammunition.

So, let's treat guns and ammo like we do other problematic social issues (alcohol, cigarettes).  Specifically, I propose we develop a financial compensation package for victims of gun violence. A fixed benefit to the victims of, or survivors of fatal shootings, to be determined by some arbitrator. So, $1M for a fatality (for instance), with various lower values for different levels of incapacitation. We take the "external" cost of gun ownership, and internalize it.

The fund for these benefits will be generated by a tax on firearms and ammunition, based on historical data and trends in violence, and assessed on an annual basis. And there would be exceptions - no benefit if one is wounded in the commission of a crime, no benefit for stupid or risky behavior (including suicide, accidental shootings, or family members accessing an unsecured firearm) - the benefit goes to innocent victims only.

You want a lower gun tax? Then work to reduce violence, through education, through background checks, through internal policing in the gun world, through better mental health services.

And no, we are not going to come take your guns. But we will make sure the social cost of easy access to firearms accrues to the folks who demand and enjoy the easy access.

Kirtan No More

I last played Kirtan with Shankara / West Hartford Yoga back in December 2012. It was my last with the group. We had some internal group dynamic stuff going on (the percussionists left the ensemble immediately after that kirtan) and I also had some personal stuff going on - was not 100% happy with the direction of the group (I'm not a big fan of guru-worship, and the altars were getting higher and higher) and I was finding myself so emotionally and spiritually drained following a kirtan that I was physically wrecked for 2-3 days following.


Bottom line: I was giving a lot more than I was receiving, I was becoming resentful of that, and I was not really that invested in the whole thing. It was time to step back. I left on good terms, and have volunteered to set-up and run the sound system for upcoming kirtan events.

Shankara has gathered a new group of musicians, and is getting ready for a Kirtan on October 12. You can keep track of the group on Facebook, here.




It was way back in 2007 that I stepped shyly to Shankara and mentioned that I played guitar "just in case you need someone" - we've had a long and fruitful musical relationship, and it re-awakened my own musical passion that eventually evolved to coming back to the bass and joining the Guinea Pigs. But it was time to move on. Hopefully, Shankara has benefited with renewed energy and ideas from his new ensemble. I'm still trying to figure out what is next in my life - and stepping back from kirtan was one place I'm "making space" for something new.....

Home Improvement - Entryway Edition

 Inspired by Falcon Ridge (and our annual quest for both rain and sun protection), I envisioned a square canvas panel to be used as a shade on the porch, tied to the railing. Did not find that available (I am sure I could have one made) but I did find some screening / shading material made by Coolaroo.   It's basically a roll of woven PVC material (6' x 15') for not a lot of bucks ($35 on Amazon) - they also make sails, window shades, etc.

My first trial used the Coolaroo "butterfly clips" (little plastic clamps with holes for cording) which was effective but a little trash looking (the fabric stretched). So I went and bought some thin wooden strips (1/2" x 1") and made a light frame, to which I wrapped and stapled the fabric. 

And, voila. 

Took on a few ascetic projects over the past few weeks, might as well document 'em.

First, I replaced an aging front porch lamp. I tend to have it on nightly from dusk to midnight (it's on a timer) to enable me to find my way inside as well as give the "one resident with a busy life" condo a bit more of a lived in feel.

But over the summer, I noticed that it was pretty bright on the side of the building next door (apartments) and when the wind was blowing and the flag was flapping, was probably kind of annoying to the residents. Not that I have any particular fondness for the folks next door. And the neighbor most affected tends to smoke out the window and leave a hug pile of ugly cigarette butts that do not get cleaned up in seasons when the grass is not being tended to. So replacing the light "for the neighbors" was a good exercise in "metta".

I picked up a "dark skies" model at Lowe's that directs the light downward - and set out for a quick swap out. But home repair rarely goes as planned. here's the box, as found. You may notice: 

• Interior box used outside
• Roofing nails used to affix the box (and as a ground stud)
• Aluminum nails + copper wire + moisture = corrosion 
• No insulation on wiring
• No waterproofing or gasketing
• Clear indication of insects living in there

So first step was to completely replace the box. I ended up with a proper external box, mounted it with anchor bolts, and caulked up both the wireway hole and the back of the box. Then I used gasket material (and caulk, being an engineer, I like both a belt and suspenders) to seal the fixture. Here's the result:

 

Bonus points, the same CFL bulb, directed downward, is a lot brighter and aestheticially pleasing than with the old fixture. And the light / shadow cast on the building next door is a lot less instrusive.

I doubt they will even notice, but I feel better about myself and my impact on the world.  

My second project involved shading the front porch. My condo is kind of quirky, four units, one building, and the entrance to the two end units are on the side of the building. So my "front door" actually faces the apartment building next door, to the west. So the afternoon sun can get pretty annoying (heat and brightness) in the living room through the screen door, and since I choose not to open the first floor windows (for security) there's not a lot of air. In addition, the folks in the apartment next door can look right in with the door open. 

Durable Goods

The last time I purchased a canister vacuum cleaner was 1983. I was fresh out of school and with my sears charge card in hand I stocked up on the essentials, including a Kenmore vacuum with a power adapter. It's gone with me through 3 apartments, two houses, and a condo. The power adapter died long ago, the metal extension has disappeared, and the hose is mostly duct tape (and not easily or cheaply replaced).

It's survival all these years is probably a combination of Kenmore quality and my own rather lax standards in terms of cleaning, although it has cleaned up after 4 or 5 dogs over the years. 


I've only used it for the stairs in recent years, and 1980's tech is no longer light (or perhaps my 50 year old arms and shoulders are less amenable to hauling it up and down) So tonight I decided to pick up something new.

First stop PC Richard's, where I looked at what was there (quite a bit) and waited around for someone to wait on me (nobody came) so I wandered over to Target (not much, and what they had was not really that good quality) and Best Buy (too pricey for my tastes).

So back to PC Richard's where a gentleman showed up to sell me a vacuum. They had some really decent prices on larger units (similar to my old one, with a power adapter) but, remembering that I only use it for stairs, I opted for a  Dirt Devil FeatherLite Cyclonic Canister Vacuum which was priced at $99 (totally cool with that) - but when it came time to ring it up, it was on sale for $60.

It's a pretty decent unit, 10 Amp motor, bagless dust canister, HEPA filter. I doubt it will last 30 years like my old one did. But I paid a lot more (in 1980's dollars) for that old guy. And besides, I'm not 100% sure I have 30 years left myself.....

Cleaned the stairs tonight, both sets. Works like a champ!

And the old soldier - off to a Craigslist Free Stuff listing. Someone can probably make use of it, for parts or for a basement or something.

Young, Folk, and Talented

Spent most of the day, yesterday at The 2013 CT Folk Festival down at Edgerton Park in New Haven.

Amongst the singer-songwriters and the bluegrass (not my fave, but whatever) were two young bands that truly impressed.

I've seen Poor Old Shine a bit - at Falcon Ridge mostly - so it was delightful to find myself seated and attentive through a full set. One can not help but be infected by their spirit of fun. The three main players gather around a central mic and just howl harmonies at each other in a way that is intimate and casual - you see women do that sort of thing (thinking Red Molly or Boxcar Lilies) but the Poor Old Shine dudes are totally comfortable sharing personal space. One of our party called it a bit of a "bromance" as the guys are having so much fun together and with the music, and are not afraid of being vulnerable and supportive. Love them!

Poor Old Shine gets bonus points for  dragging up the most eclectic pile of instruments onto a local stage ever. The basic line-up - drums, stand-up bass, guitar, mandolin, and banjo - is supplemented by an accordian, a pump organ (!), a glockenspiel (!!), and a singing saw (!!!). I suspect if somebody tossed a cat up on stage they'd figure out a way to get music out of it. Oh wait, already been done.

Kaia from Little Ugly (another local band that fits in with the title of this post) highly recommended opening act Goodnight Blue Moon as "up and coming, the next big thing" and so I found myself a seat right at 11 am for their set, and was not disappointed. I really enjoyed their music both live and bought their CD.

It's so much fun watching these "young 'uns" playing in the folk / americana / indie genre with so much talent, so little pretense.

Late Summer Consumerism

For whatever reason, I returned from a week of camping (Falcon Ridge Folk Fest) and a week of Camp, and decided to go on a buying spree. No "change of season" clothes shopping, of course (that would be way too normal), but rather some tech / audio gack. Specifically:

• A 50' audio snake (12 in / 4 out / XLR)
• (2) 50' power cables (1/4" in and out)
• (4) each, XLR to 1/4 adapters (M-F and F-M), to use the snake for instrument feeds if needed
• (3) passive direct boxes (again, to use instruments with the snake)

Not actually sure why I bought all this stuff; doing sound for Little Ugly a few weeks back was fun and I'd like to do more of that, the snake especially will come in handy for kirtan sound (I've stepped back from playing kirtan but will be running the sound for WHY's kirtan in October and December), and I am sure it will come in handy with the Guinea Pigs at some point.

In addition, I've got some textured plastic "sunshade" material coming - the late day sun streaming into the living room with the door open has been a problem this year (as well as the neighbors seeing in) so I plan to put up some panels on the front porch. Might help with wind screen as well. And the roll of material is big enough that I might try to fabricate and mount some UV screens for the south facing yoga room windows and sliding glass door onto the deck. 

CT Folk Fest - Sept 7, 2013

After spending nearly a week on a hillside in NY immersed in folk music, one would think that the last thing I'd want is more of the same. Yet I am drawn to the CT Folk Festival this year, to be held Sept 7, 2013 at Edgerton PArk in New Haven.

Mostly, I walk away from Falcon Ridge with a bit of "listener" envy - I've worked my way up to a crew chief role that precludes a lot of time sitting and watching / listening. I'm within earshot of main stage through most of the weekend; I hear a lot of music and meet most of the artists, but it's not the same. So happy to go be one of the little people.

I'm also intrigued by the CT Folk Fests economic model (which appears to be mostly grant based), enabling them to provide a free concert. So intrigued in fact that I donated $50, mostly to make sure I'd go :)

And the artists look great this year. Recent Falcon Ridge artists The Stray Birds and Poor Old Shine  will be there, as well FRFF alumni Honor Finnegan and Brother Sun. And a whole lot more.

So, if the weather is good, I'll plop my derriere down in Edgerton Park in a few weeks and just LISTEN and WATCH!

Folk Fest vs. Camp

As I unpack from Falcon Ridge and start to prep for a week at camp, it's interesting to note the differences in terms of what I need for each. Mostly, I take a lot more to Falcon Ridge; the car will be much less crammed for Camp.

Things I'm not Bringing to Camp that I took to Falcon Ridge

1) Tent
2) Dining Fly / Tarp (with poles, stakes, tie downs, etc.)
3) Plastic tubs (2) for yoga supplies
4) Cooler
5) Merch trailer bin with printer, paper, ink, etc.
6) Laptop
7) 3 of 4 folding chairs (I'll bring one along)
8) Air mattress, pump (they have mattresses and bunks)
9) Cintronella bucket candles
10) Big Pile o' tarps
11) Folding Table

12) Tool bag
13) Inflatable Orca (aka Fudgie)
14) Alcohol, Cranberry Juice, Seltzer / Tonic Water, and Limes
15) A wash basin

Things I Bring to Both Folk Fest and Camp

1) Sleeping bag
2) Sheets and pillow
3) Towels
3) Musical instrument(s)
4) Yoga mats and props
5) Folding wagon
 6) Food (we have a little lawn party at Sappho beach, but probably less food than I brought to Falcon Ridge)

Even with some extra clothing (Camp has a barn dance, disco dance, and a tea dance, all of which require some sort of fashion statement) I ought to have plenty of room in the car up to Maine. 

Falcon Ridge 2013 - Part I

Back from the hills of Falcon Ridge. Before I sum up my week in folk heaven, let's let the Grand Slambovians and photographer Neale Eckstein put it all in perspective. This song, and video, totally gets it, and made me cry watching it.

 
So first off, my experience of Falcon Ridge is highly atypical. As a crew chief for the performer merchandise crew, I spend most of the festival in a trailer behind the Festival Merchandise tent, working. My days are long. I lead a yoga practice each morning (7:30 - 8:30 am), stop by the volunteer kitchen for some breakfast, and then head over to the merch trailer for 9:00 am opening. We check-in CDs, move everything from the trailers to the tent until 11 am when the tent opens for business. And then we hang out, keeping an eye on the stock in the tent, checking performers in and out throughout the day, coordinating artist signings, etc. Just before 11 pm, we pack up all the merch in boxes and ake it out to the trailers for safe keeping overnight.

Now, it's not all work. Our trailer is within earshot of main stage so I hear a lot of music; I step away from time to time to cruise the midway, grab a shower, head back to the campsite for a few.  And I get to interact with nearly all of the performers at some point, which is lovely. When amazing folks like Dan Navarro, Vance Gilbert and Eliza Gilkyson great you fondly with a hug and remember you from previous years, it's a nice treat.

But yeah, in terms of dancing, sitting in front of a stage, wandering the festival grounds at night looking for a song circle - not so much. Just too busy and my downtime over the weekend is a precious opportunity to restore and recharge.  Nevertheless, I always have some magic moments at the fest, and this year was no exception.

This was a good Nields year for me. At one point, Nerissa's young daughter was busking with her violin in the midway, and the image of this young girl working through a practiced tune (with all the fits and starts and missed notes of an earnest beginner) while mom sat back and proudly listened just filled me with joy. It was very sweet. Similarly, the pre-teen supergroup Belle Amie (consisting of Amelia Nields Chalfant, Isabella Deherdt, and Alouette Battea) was wonderful to watch all weekend - a short set after the Emerging Artist showcase, signing CDs in the merch tent, several back-up opportunities, and Amelia joining her mom and aunt on stage) was adorable and heart-warming. One of the few times I stood in front of  Main Stage was for the Nields (that was me dancing with my rainbow umbrella), and I caught a bit of  their family stage set which made me feel like a happy 6 year old. So yeah - the Nields. I caught them at the start of their career (in the 66 Hoxie Street days) and have been a fan ever since. So lovely to see them still vibrant and nurturing the next generation.

Susan Werner was also a highlight this year. I'll confess, I have never really "gotten" Susan; friends swear by her and I've listened, but it's never clicked. This year, listening to her (abetted by Red Molly) singing "May I Suggest" broke my heart wide open. I definitely need to give her another listen, especially her new CD Hayseed, and her newish live CD. Here's a short clip.

Susan ended up signing and meeting her fans for 2.5 hours on Saturday - an amazing sight. Everyone got a hug and some personal attention, she knew names of kids and life circumstances, she must have handed out close to a dozen CDs (which we furiously attempted to keep track of) and she promised to put at least that many folks on the guest list of her next show in their town. So if I've fallen in love with Susan Werner this weekend, you know why.

I taught yoga again this year. In a lot of ways, I owe my career as a yoga teacher to Falcon Ridge, must have been 2006 and 2007 when I first found myself inadvertently leading a practice (I was doing my personal practice and several folks were kind of following along) which planted the teacher training seed in my mind. So keeping morning yoga at Falcon Ridge is very important to me. I failed to put up a sign this year (just got too busy) but my 2012 sign magically appeared on the info board, and I ended up with 10-12 students each morning. Was quite lovely. And the new big tough plastic bins I purchased to stash my mats and props in worked perfectly - keeping things dry through multiple showers and the nightly dew.

Le Morte du Blog

Wow? Have I really failed to blog even once in July?

I resolve to do better!

Affirmed and Disappointed

My beloved Guinea Pigs played a gig yesterday at Billings Forge Farmers' Market. It's a lovely, small urban market, on Broad Street in downtown Hartford. There were a half dozen or so local farms, some products and crafts, and a handful of food trucks (including my fave, G-Monkey, from which I procured a hearty serving of cold peanut soba noodles, yum!)

We've played this particular market the past few years and it's always a fave for us, with friends and fans stopping by, and folks from the local arts and business community stopping in for lunch or their dose of fresh produce. The market itself serves the local community by accepting SNAP / WIC benefits for fresh local food, and doubling their value for produce purchased at the market (which admittedly does sell for a premium compared to the local mega-supermarket, not that there are many of those in Hartford)

I was affirmed a bit yesterday - a young woman who described herself as a "yoga newbie" recognized me from the studio, and perhaps seeing a free-spirit, artistic side of me that I rarely admit or see in myself, commented that "I need to get more creative in my life". Whatever stories I happen to be telling myself about who I am and how I live my life, I rarely would call myself creative or artistic. Yet this young woman, with her simple "I wish I were more like you" musing, held a mirror up to my own life, especially the choices of the past decade or so. It was very sweet and affirming.

And I was disappointed yesterday. I serve and belong to a "community" through my yoga practice, yet I can count on one hand the times a friend from that world has taken the time to support me, to come see my band play. Occasionally people stumble across me, but only 1-2 times has someone come specifically to see us. I know we're mostly east of the river, so when we do come to this part of town, I guess it sparks a little hope that "this time I might see a familiar face" of the 100s on my Facebook friends list. I'd guess that fewer than 2% of the locals on my 480+ Facebook friends list have ever come to hear me play despite my sharing every single gig since 2010.

I need to look at that a little. Part of it is certainly my own compartmentalizing my life / lives - with separate communities for music, for yoga, for GLBT, for ballooning, with a handful of people, events, and venues that overlap. Part of that is my own strong nature and ability to stand on my own two feet without a lot of support - the folks with needs and crisis and struggle seem to attract and receive both attention and love. And part of that is the complexity of boundaries and relationships in a world where I am teacher, student, client, friend, and employee, and pull back a bit to keep from getting enmeshed in drama.

But over and over, that part of my world continues to break my heart. 

The Haves and the Have Nots

With today's SCOTUS decision regarding DOMA, my Facebook and Twitter feeds (both full of the gay) went wild. And I'm happy for the decision - it's right, it's long overdue.

But I'm also a little sad. In a lot of ways, same sex marriage is about privilege. The privilege afforded to heterosexual couples in terms of benefits (health insurance, survivor benefits, social security) and in terms of tax law are now available to same sex couples. And as a result a whole lot of people will rest easier, because their health insurance, estate planning, custody and survivor rights will be recognized by the federal government. I recognized this back in 2006; I was on an internet radio show that also featured two of the CT Marriage plaintiffs, and one of the "selling points" was how much money they would stand to lose (or gain) were they legally married. It was a lot of money (> $200K) - and I realized that for many in the gay marriage, it was a fight for those with money, power and privilege to get more of the same.

But for those of us outside of the mainstream in terms of relationships, who have not or may not be able to assimilate and become the G/L equivalent of happy heterosexuals, a helluva of a lot of allies and fellow sufferers just got theirs and got out of Dodge. So for someone struggling to maintain health care, to put a little money for retirement without the benefit of a spouse with benefits, to just stay afloat - it's kind of a sad day.

And yeah, I guess I could find a relationship. But really, how many 50+ women find Mr. or Ms. Right? And as a lesbian transwoman, well, it's a pretty slim slice (queer women who might date a transwomen) of an already thin slice (lesbian women). Let's just say I'm not picking out a dress or a china pattern.

So, DOMA was declared unconstitutional. Happy for all my mated and wedded friends who will benefit. I'm still outside, looking in. Hope the cake is yummy. 

Falcon Ridge Folk Festival - 2013 Emerging Artists

The official list has been released, in alphabetical order: 

Amanda Pearcy - Austin TX
Amy Black - Somerville MA
Annalivia - Boston MA
Bethel Steele - Boston MA
Bobtown - NYC
Brad Yoder Duo - Pittsburgh PA
Carrie Ferguson - Northampton MA
Connor Garvey - Portland ME
Cricket Tell the Weather - Brooklyn NY
Darlingside - Boston MA
Doug Allen - Stamford CT
Doug Kwartler - Boston MA
Jacob Latham - Bloomington IN
Jonah Tolchin - Princeton NJ 
Martin Swinger - Augusta ME
Michael Braunfeld - Philadelphia PA
Noble Hunter - Brooklyn NY
Phil Henry Acoustic Trio - Rutland VT
Rachael Sage - NYC
Reverend TJ McGlinchey - Philadelphia PA
Roosevelt Dime - Brooklyn NY
Tall Heights - Boston MA
The Bones of J.R. Jones - Manilus NY
The Boxcar Lilies - Greenfield MA

Looks like a pretty eclectic group. The usual New England / Northeast slant is seasoned with artists from Austin, Pittsburgh, Bloomington, and Philadelphia. A quick review of the websites (to grab these links) shows a good mix of solo artists and groups. 

I only recognize a few names. Rachael Sage was a Showcase Artist back in 2010; I also saw her at the New Haven Folk Fest (and picked up a CD back then). Boxcar Lilies I've heard somewhere (Prairie Home Companion? Local folk shows?). I've actually PLAYED with Brad Yoder (at the Falcon Ridge volunteer open mic, where we accompany Ben Atherton-Zeman during his annual FRFF inspired song parody). Phil Henry has been touring with Tracy Grammar on and off over the years. And Amy Black and Bethel Steele are both familiar names out of Boston.

Brooklyn / NYC get's the "precious name" award, with three artists (Bobtown / Cricket Tell the Weather / Roosevelt Time) having creative / eclectic / curious names.

Sneaking Up on It

There is an old adage:

Q: How does one eat an elephant? A: One bite at a time.

It's something I've used in the past - my "major life project", which takes those with money, privilege, resources a year or two, took me the better part of a decade. It was almost too difficult to look it in the eye, to openly set it as a goal way back when, because it seemed so out of reach financially, logistically. And yet, I started nibbling at the edges, working on the things I could with the time and resources I had. It took 7 or 8 years, but the result was a gender transition that was more organic, less affected, with a lot less struggle and drama than most such journeys.  And when fortune smiled on me with a once in a lifetime opportunity, I was ready to go.

Today, Fed Ex ground dropped off a large box. Inside, 10 yoga blankets, purple and red. Yoga Direct does not really have the highest quality products, but the price is right and there was a 30% off sale.

And as I was opening the box, inspecting the blankets, shaking out the lint and refolding them, it struck me - I might just be doing it again. I realized that I've got the makings of a small yoga studio: blankets, blocks, straps, mats, tennis balls.

I've picked these things up over the years for various reasons. My first "free" classes at my old office precipitated the mat purchase. Teaching adult ed yoga drove me to invest in blocks and straps. I picked up tennis balls as a low cost alternative to Jill Miller's Yoga Tune-up balls.

And I bring the props as I travel - leading an early morning gentle practice at the Falcon Ridge Folk Festival, leading two classes a day at GLBT summer camp for adults, Camp Camp.

One of the benefits of a mindful life, of the physical and spiritual practice, and of having more than a few miles on the odometer, is that I begin to notice the patterns, to sense the winds of change in the moment rather than in the rear view mirror.

Not saying I'm opening a studio, that this is a concrete goal or even a dream that I am working towards. And yet, I'm  conscious of pieces falling into place, of a subtle shift in the winds. I'm aware of me, sneaking up on something.

Paypal Fail

I recently cashed in some retirement money (before the recent market drop, thank you very much) and paid off most of my consumer debt. It's a good feeling.

My plan was to retain two cards - a Cap One account that had a bit left on it (and would be paid off over the next year) and a Paypal / GE Capitol account (zero balance) for monthly subscriptions, online purchases, etc. (so I could pay down the other card cleanly).

Unfortunately, the rating systems at Paypal / GE Capitol appear to have freaked out by my behavior (paying off a balance on their card, plus two others)  and although my credit line was unchanged, my available credit has been about $60 for the past two weeks.

Today, I decided to call and find out what was up - but their phone systems were circuitous and unhelpful. I waited on hold for 30 minutes at the Paypal number, only to be directed to a second number at GE Capitol. At the GE Capitol number,  I could not seem to figure out how to connect to a real person, but I did find a place to automatically cancel the card. Which I did.

Sorry, Paypal, but good riddance. Between the credit line / available credit snafu, the messed up support systems, and the inability to get anyone live on the line, I kind of lost interest. I'll keep the Cap One account until I get the right card offer in the mail to use as a "pay it off every month"  vehicle.

Falcon Ridge Folk Festival - Merch Tent Preview

I've dragged out Excel and am cleaning up the master spreadsheet I use to track merchandise for the folk fest. I developed this puppy back in  2007 (my first year as merch co-crew chief) and it has proven to be pretty well designed, going all these years without requiring too much modification. I set up an individual spreadsheet for each artist / performer (some require multiple sheets) and we track the units brought to fest, added or removed during fest, and checked out after. With unit pricing, it calculates the total sales, subtracts the fest commission, and tallies the artist's total sales. Pretty basic, but still much work with 50-60 artists at a typical fest weekend.

Some artists (especially the 24 "Emerging Showcase Artists") are pretty simple, with a handful of CDs (we ask them to leave the swag home, as emerging artists, just not a lot of potential for sales). Others can be quite a handful - Gandalf Murphy / Grand Slambovians (for instance) bring multiple CDs, DVDs, packaged sets, shirts, hats, coffee(!), etc. Others (such as The Kennedy's) have multiple musical personae (in their case, they've been part of The Stranglings, The Stringbusters) or have solo works for individual members of the group. So it's quite a juggling act to keep it all sorted out.

This year, I took the time to list and document all the macros; I use macros for the spreadsheet automation as well as for little maintenance task (clearing sheets, repopulating header / footer fields for the current year, etc.) - found quite a bit of redundancy which I am slowly pruning. Might as well start fresh!

This is the 25th Anniversary of the Folk Fest - started in 1988 and missing 1991. I've been volunteering since 1992, with one missed year (was in SE Asia for work) so I think this is my 21st year. I started out with the parking crew, and the year I missed was a good opportunity to switch over to the festival tee-shirt (merch) crew. In 2007, Tee-Shirts and Performer Merch merged and I was a signing bonus (i.e. - crew chief Ellen acceded to the merger if I got a co-crew chief position with the responsibility of tracking performer merchandise).

In the ensuing years, I've seen a lot less music from in front of the stage (holing up in the merch trailer for much of the fest, which admittedly is line of site from main stage) but I've also gotten to meet and know a lot of the performers. It's a decent trade, IMHO. As the saying goes, I have "risen to the level of my incompetence" and here I shall stay.

Looking at the festival artists (the Emerging Artists have not yet been announced) it looks like a pretty decent fest. We're missing that big headliner (someone like Richard Thompson, Shawn Colvin, Mary Chapin Carpenter, Arlo Guthrie, etc.) but Dar Williams is back for the first time in many years and she's pretty much a headliner these days. And although a lot of old friend are absent (of the Patty Larkin, John Gorka, Richard Shindell, Greg Brown, Cheryl Wheeler generation), there are plenty of really great musicians.

Back for 2013, Falcon Ridge mainstays The Kennedys (I've missed ya, although maybe less so the mayhem of your merchandise), the Nields, Red Molly, the Grand Slambovians. Venerable faves such as Vance Gilbert, Susan Werner, Eliza Gilkyson, Mary Gauthier, Dan Navarro and Ellis Paul all add punch to the center of the line-up. And some newer faves - Spuyten Duvil, Jason Spooner Band, Andrew & Noah Band fill out the lineup.  Not ignoring the dance tent bands, plenty of punch there as well.

So...here it comes again. A week later this year (and hopefully pushing us into a little bit of sunny and dry weather in August). 

Losing My Religion (That's me in the corner)

Actually, I've got no religion to lose. I am, however, not doing a lot of formal yoga these days. Which is worse, in a lot of ways. 

I have been a power yoga junkie - back 5-6 years I was on my mat, sweating it out 5-6 times a week. And although my body would complain now and then (occasional back issues, shoulder issues) I've been fairly resilient through it all.

But the past few months I've been struggling. A dose of left foot plantar fasciitis has made down dog, crescent lunge, and warrior I torturous - feels as if I am planting my left heel on a 2" nail. I've been doing exercises, babying my feet, wearing supportive shoes, etc. and modifying my practice - but its the sort of thing one needs to rest and recover with, and teaching barefoot 3-4 times a week and practicing daily does not leave much space for healing. 

On top of that, my left shoulder has been creaky and cranky - I think I've narrowed it down to a strained left bicep. My right shoulder is always a bit wonky but now with two shoulders in for repair, things like chaturanga or shoulder openers are iffy.

So, bottom line, I am totally avoiding hot / power yoga, anything with sun salutations. There are a few All Levels teachers I can work with but its been mostly gentle, yin, restorative for me. And since the studio is down a few teachers - it's been hot or miss for me taking a formal class. And my yoga space is presently a shambles (seasonal clothing swap) so finding practice space at home is a bit of a challenge.

Odd though. I've been cleaning up a lot of stuff in my life - sorted out some financial struggles, completely cleaned my condo, reworked my main bath, caught up on work. My yoga these days seems a lot less asana based and more "in the world". Nothing wrong with that, although I'd like to get my sorry ass back into a hot / power class soon!

National Geographic

It's hard to begin to quantify how much of who I have become as a person was influenced by the fact that my parents subscribed to this magazine. My parents were not intellectuals or academics; dad was an IT guy in the 60s and 70s, mom was a nurse / full time mom. Neither was a huge reader (other than the newspaper; yet my childhood was vividly informed by a Merit Student Encyclopedia on the shelf, and National Geographic magazine once a month in the mail. I devoured them - in my room, in the bathtub, in the car, cover to cover.

My knowledge of the world with its continents, oceans, and nations, my love of nature, curiosity about space and exploration - and perhaps all of these coalescing into a spiritual curiosity - between the covers of this publication.

It's been a long long time but I decided today, out of the blue, to subscribe again, after many years hiatus. Happy to be back in the fold.

Pride and Not Pride

This weekend, my Facebook feed was filled with photos from Pride parades and festivals. My camp family is geographically dispersed, so I have my finger on the pulse on the queer community of a lot of cities. It was kind of fun to live vicariously through Boston, Los Angeles, Albany, and other places.

Once upon a time, Hartford had a Pride fest, occasionally een a Pride parade. I've participated in both. But no more. The fest itself has fallen on hard times lately; not even sure when the last time there was one. And to be honest, when it was still happening, my ties to the local queer community are so slight and tentative that I either chose not to go, or I'd go, wander around for a few hours without really finding too many folks I knew, and I'd quietly slip away.

It's part of a bigger pictures. Hartford's "community center" shut its door years ago, so there's no central space for meetings, events, information. And (in my experience) the spaces and groups out there tend to be kind of insular - without a lot of formal cross-over.

I did spend a number of nights this past week at the Out Film Fest. It's not the same - skewed older, whiter, and wealthier - a thin slice of queer community - but at this point, we take what we can. It was good to run into a lot of folks I knew "back in the day". It was a good year for the fest; with good films, good turnouts (to my eye), and successful use of alternative theater spaces (Real Art Ways, Spotlight Theaters, and CT Science Center). I probably should have bought a festival pass but hopefully my fuull price tickets will help support the fest.

One of the festival films - Raid at the Rainbow Lounge - about a police raid on a gay bar in Ft. Worth, TX and the resultant community coming together - brought our local lack of community into focus.



Perhaps its a natural part of the assimilation process. I have a dozen queerish friends in the yoga world who I have never seen at a Pride / Queer event. It's so pedestrian to be GLBT these days that there's little need for safe / segregated spaces. Folks split off into communities based on other interests and passions. Still, there is something missing.

Personally, I'm missing community. I'm neither fish nor fowl, mostly. Whatever passes for a trans community is focused on coming out and transitioning (been there, done that, a decade or more ago), or fixated on victimhood and oppression (neither of which has been my experience)  so there's little there for me. My peers have (admittedly, like me) slipped off into the woodwork and whatever passes for happily ever after. And the queer women's community has so far proven elusive - not a clear focus or hub, and my own radfem / Michfest induced fears about exclusion and going where I am unwanted keep me from looking too hard. On Saturday night I sat (alone) in a full theater filled with cliquish groups of dykes. Along among the tribe.

So yeah. Not so proud this year. I look forward to my annual queer homecoming at camp, and will take the little slices of community and connection I can get.