Showing posts with label Music. Show all posts
Showing posts with label Music. Show all posts

October 18, 2018

The Cars

In other "looking backward, not forward" news, I stumbled across this concert video of "The Cars" circa 1979 last evening. 
The Boston-based Cars were, I suppose, my gateway drug into what became known as New Wave - national bands like Blondie, Talking Heads, Pretenders, Cheap Trick, The Police, Elvis Costello, B-52s, and yes, The Knack - bleeding over into punk, to brit-rock, to ska. I blame Jim Reedy who was (and still is, no doubt) far more musically progressive than myself. I'm not sure if we ever saw them live in small clubs in Boston (it's possible that we did, Jim was adventurous and a positive influence that way) - I know I saw them in '79 at the Yale Bowl* for SunFest79 (Beach Boys, Eddie Money, Flo & Eddie, Henry Paul Band, The Cars) and again during college (Boston Garden, it's possible the Clash or one of their off-shoots opened, the internets are not cooperating this morning in terms of documenting the show)

I'm struck by how "small club rock & roll" they seem here, rough around the edges and unpolished compared to modern standards. Remembering the individual members (one of the few groups I came to learn all the band-member's names), remember playing "Good Times Roll" in Jim's basement. Did not realize bassist Ben Orr passed away so long ago (2000) and so young (53, pancreatic cancer) - he kind of has a bit of a "Sting" vibe here.

Nice to take a look back. The Cars made the jump to MTV, but broke up in 1988. I picked up a Best of Anthology on CD along the way but I never replaced my vinyl copies of The Cars or Candy-O. I remained a big enough fan to pick up Panorama, Shake It Up, and Heartbeat City on vinyl back in the day (all long gone), but I dropped out by the time they released "Door to Door" which I do not remember at all.

* I also went to the 1980 edition - The Eagles, Heart, and Little River Band - and I wore an Eagles baseball concert shirt often enough for my artistic college roomie to make it my signature garb when caricaturing me. This second concert is a blur - I had worked the overnight shift at McD's. And somebody (Robin V?) had pot which I rarely smoked but did that day, all I remember is being about as far back as possible in the Yale Bowl and my fatigued, sun-baked, and stoned brain thought I was watching the concert on TV.

April 15, 2015

The Age of Miracles and Wonders

I've been in audio geek mode the past week or so.

The Guinea Pigs sound system lost a monitor amplifier at our last gig - one of two ancient amps that Dan trucks around, and I volunteered to pick up a solid-state replacement that could feed both mains and monitors. I'm slowly building up my own PA system (having previously purchased a mixer, snake, monitor speakers, and accessories), so added a 500W / Channel solid state amplifier at low cost, and a wooden rack to mount it in. I feel very professional.



That got me thinking about Om Street: Yoga on LaSalle Road - I'm the audio engineer in charge, and have been running a "two amplifier" system there for a few years (with digital delay to control echoes for the satellite system, 200' down the road). So while I was prepping and messing with the new amp, I picked up some way too inexpensive (seemingly) speaker cables: 2 x 30' Speakon-to-1/2" ($12.50 per) and 2 x 15' 1/4"-to-1/4" ($12 per) and some 1/4" couplers - which will give me some additional flexibility when setting things up this July. The cables came in today and I spent some time unwrapping them, marking them (I use blue tape on the ends of my cables, and blue velcro ties), and stowing them in the gack bags and bins. 

And while I was at it, I picked up an old audio engineers bible, The Sound Reinforcement Handbook by Gary Davis. (which apparently you can download for free online at PDF Shack - not sure if that's legit or not, but with a 1988 printing date, I am sure they've made their money by now. I'd just as soon have it in print, old school like.

A lot of what's in the handbook will be, I am sure old hat to me, but there are a few things I'd like to learn more about - compression, tone control for various instruments (drums, guitars, voice), speaker placement, etc. I've picked up some stuff over the years; as a musician with electric guitars and basses, as a utility and computer geek at various corporate productions. But always more to learn.

As I lay on the couch reading this afternoon, I thought about how many fun toys I have at my fingertips, in my arsenal these days. I've got a portable o-scope that interfaces with a laptop. I've got a signal generator, both a hardware version and an app on my phone. I've got a kicking audio signal analyzer for my iPad. I can set up a sound system throw some pink noise in, and tweak the tone for the room. I have amazing tech for very little money that would have cost 10's of thousands back in the late 70's / early 80's.

I thought back to my 8th grade self, who wanted very much to mess around with this stuff. How I would love to jump back in time with all my toys and help that little kid with a science fair project. I thought about my college self, getting a EE degree in analog design, running around Worcester county recording marimbas to characterize the frequency content and envelope the better to synthesize the instrument. I was minoring in music, mucking around with an ARP 2600 and a four-track recorder when I could get my hands on it. Having fun.


I never did much with music out of school - the Carter / Reagan recession was in full swing, the cool companies like Bose were not hiring, and I was happy to get my first job that led me down the power quality road. And it was not too many years later that digital sound came along and blew analog synthesizers out of the water. 

But here I am, 30+ years down the road, and whatever fire was there is still burning. I'll probably never be much more than an audio hobbyist, but it gives me great joy to have the right tools, the right knowledge, the experience to put a decent system together. Back to the couch, to geek out. Watch out world!

May 06, 2014

Alison Kaufman: Amplified Stages

In other news, Real Art Ways was kind of in flux (with two main spaces presently in transition) but I wandered into the space that usually houses some smaller video type pieces, and burst out laughing with delight.

Alison Kaufman's "Amplified Stages", a re-creation of a DJ / Music Shop showroom, was so unexpected, so on the money, and so familiar from my many years of wandering into various music shops. I found myself looking carefully at the gear, the price tags and descriptions, the prices themselves, and remembering my own days of window shopping, tire kicking, dreaming.

Ms. Kaufman also has a piece called "Friday Nights at Guitar Center"which is particularly relevant to some of my rants and commentary about that store.

  

March 03, 2014

Not Quite Getting the Concept

This one came across my social media stream this morning:
Hey Friends! We have two sweet concerts this weekend. Is anyone available to hang few flyers out of town? We got some special ones made up by Acme Foundation
First off, I saw your post. I was curious enough to click through to your page to see what the "special concerts" are. Of course, there is no mention of the concerts on your timeline, and no "Events" set up for these special concerts. Trying hard to be friendly, helpful, and less than snarky, I commented:
You'd have to hang fewer flyers if you told us about the concerts via social media
Because, seriously - all you'd need to do is mention the performers, dates, and times in your "please hang flyers" post and you'd kill two birds with one stone. I saw the post, I was curious - social media did it's job. But having baited your line, there was nothing to draw me in. And do set up some events for these concerts - and maybe folks might see that, comment, say they are going, share to their contacts.

It's nice to hang flyers, but it's pricey (labor to design, cost to print, labor to distribute) and social media is a lot less expensive. This particular entity has a respectable 2700 "likes" - and Monday is certainly not too soon (might even be a little too late) to crank up the social media engine.

January 30, 2014

My Left Hand

A very vivid and remembered dream last night.

I dreamed I was at a party or function at the home of Dan, my fellow guitarist from The Guinea Pigs. During the party, there was a yoga class, taught by Ana Forrest (of all people; I've practiced with her a few times in the past but she's not really that present in my life right now) in the middle of the street (it was a cul-de-sac, in the dream). Somewhere in the practice, I attempted handstand (not a pose I do unsupported) and folded over or injured my left hand.

Flash forward to the next day; my hand injury has taken the form of slicing away significant parts of my four fingers - the index finger and pinky were pared down to the knuckle, the other fingers had more remaining but still pretty bad. The injuries had healed (no blood) and I was back talking to Dan and his wife Nancy about it (had they noticed this yesterday? Had I bled in their house? Did they find the remnants of my fingers?). I remember telling them not to worry about a lawsuit; I was not that type of person and besides it had happened in the street, not in their house.

And I remember having a deep sadness because the injury meant I would never play the guitar or bass again, and that it would impact my ability to teach and practice yoga.

At that moment, I woke up. The dream was so vivid and real that I immediately went to my left hand, found it to be intact, and was filled with a deep joy and happiness.

The whole thing reminded me of a zen story or parable I have heard, paraphrased here.

A man's child dies, yet he is strangely calm and unmoved by this.

When asked about it, he says "Last night, I dreamed I had four fine children, loving each of them as much as if they were my only child. When I awoke this morning, I realized it was a dream, and my dream children were gone."

"Do I mourn for this one child, or for these four children?"
A lesson dream perhaps. To be thankful for something as small as fingers. And that this body, this life, is on loan, and to enjoy it and use it wisely while it is in my care....

January 05, 2014

Ten Formative Albums

This one has been floating around Facebook, and I started doing it there, but decided it warranted a blog post!
RULES: In your status update, list ten albums that have stayed with you over the years in some way. Don’t take too long on this list - just a few minutes, tops. These don’t need to be “great” records or critical darlings. Just records that have meant something to you personally.

1. Neil Young - Live RustWhat's not to love, two sides of acoustic music I could play, two sides of guitar distortion I could play, and Neil Young's  vocals and harmonica playing seemed wholly within reach. Jimmy Fallon, I (along with a significant portion of my peer group with access to a guitar and a harmonic holder) did Neil Young impressions first

2. Lou Reed - Rock and Roll Animal I was a little old and a little uncool to get The Velvet Underground - but this album unlocked the whole NYC glam / punk / new wave scene for me.

3. The Who - Tommy I did a college thesis on this album, and to this date I can pretty much sing it through. I've never collected many Who albums, but this one I've always updated to the latest format.

4. On a Winter's Night (compilation) Not the more recent xmas / holiday release, this one is from North Star Records (1990). My intros to acoustic / singer songwriter music, and I discovered so many artists here that went on to become faves: John Gorka, Patty Larkin, Bill Morrissey, Julie Gold, Hugh Blumenfeld, Christine Lavin, David Wilcox, Cheryl Wheeler, David Mallett. There's a lifetime of music to listen to right there.

5. Bruce Springsteen - Born to Run I could pick any of a half dozen Springsteen albums (Darkness, The River, Wild, Innocent, Nebraska), but hey - Jungleland.

6. The Clash - London Calling Sandanista is a close second. If I've got the stereo blasting as I pull into the yoga studio, it's probably this album.

7. The Kinks - Kink KroniklesA little young and uncool to collect Kinks albums back in the day, but I wore out my vinyl copy of this one

8. The Cars - The Cars It's a little dated but it takes me right back to high school and it launched my rock music career. I still remember hearing that they mixed it on car stereo speakers so it would sound good in the car.

9. Dar Williams - The Honesty Room I was a Dar fan before THR came out - I actually own one of her pre-CD cassettes. So I've felt a little protective of her over the years and proud of her success. I bought my first copy of this from her at Roaring Brook Nature Center (where she was the featured performer for Open Mic night, not even a headliner) You never forget your first love. 

10. Peter Frampton - Frampton Comes Alive
Back in '77-'78 you either wore out Saturday Night Fever or you wore out this disk. This one was everywhere. If there were ubiquitous cell phones or digital cameras (or even videotape recorders) back in the day, one would be able to dig up footage of me faking the "do you feel like I do" vocoder bits, playing my Peavey T-60 through a wah-wah pedal at an end of school year lawn party. Any rock star aspirations I've entertained were born of this album. 

December 08, 2013

Francis Dunnery House Concert

Not what I expected. Not what I expected at all.

My friend Andrea (and her husband Charlie) hosted a social weekend - a blow out holiday party last night (mostly her neighbors and co-workers, a handful of friends from the yoga world, and the local indie fave Little Ugly, who reportedly got shut down early by the WH cops....). Today, she had invited me over for a house concert with a "singer-songwriter and story-teller", by the name of Francis Dunnery.

Now, having been a folkie (fan, musician, festival crew) for nearly 25 years, I figured I was in for some old chestnuts, some New England story-telling, something a little rustic, a little crunchy, a little earnest. You know - the meat and potatoes of every open mic and coffeehouse from Maine to Philly. I've listened politely to scores of such performers over the years, and I'm always happy to pick out a gem of a song from an evening, or rarer, discover an artist that I'd want to listen to again.

Well, I figured wrong. Francis Dunnery is not that kind of musician. Rather, he is a spiritual seeker and wise man who spent a few years fronting the art-prog-blues-fusion band It Bites, before hitting the wall of hedonistic rock n' roll lifestyle, and changing his life.



His Wikipedia page is seeded with words that resonate - addiction, recovery (not that unusual, given the music business), but then horse whisperer, carpentry, astrology, Jungian psychology. Francis Dunnery has done a hell of a lot of work.And it shows. His house concert this evening is accurately described by him (as quoted by Wikipedia) as: 
"(showing up) as a friend — you can't show up as a rock dude or something — and it’s just me and my acoustic guitar, no amplification, singing my songs and holding a 90-minute lecture on the human condition. I sing songs and tell stories of my life. It’s not a party; it’s more like going to church, but church with swearing!... (There is) an exchange of energy that I call a 'jacuzzi'. At the end of 90 minutes, everybody has dropped their ego. They don't even realise that has happened, but they have gradually taken off their clothes and gone into that energetic jacuzzi together. Something like that is a lot harder to achieve in a rock music arena."
And yeah, it was all that and more. By the end of the evening, we were talking deep yoga concepts - letting go of ego, being in the present moment. It was as if someone stepped out of an enlightenment intensive and happened to pick up a guitar on the way home. Here's a sample of today:



So impressed, I picked up three disks (which he barely seemed to want to take money for) - 2001's "Man", 2013's "Frankenstein Monster" and a 2008 DVD (recorded in 2001 or thereabouts) called "In the Garden of Mystic Lovers" I'm looking forward to spending some time listening and watching.....

Did I expect to get my spirit buzzed up this evening? No, I did not - I was probably going to spend the evening on the couch or cleaning bathrooms, but for Andrea's text this afternoon. But I did go. And it was pretty inspiring, pretty enlightening, pretty wonderful. 

September 16, 2013

Kirtan No More

I last played Kirtan with Shankara / West Hartford Yoga back in December 2012. It was my last with the group. We had some internal group dynamic stuff going on (the percussionists left the ensemble immediately after that kirtan) and I also had some personal stuff going on - was not 100% happy with the direction of the group (I'm not a big fan of guru-worship, and the altars were getting higher and higher) and I was finding myself so emotionally and spiritually drained following a kirtan that I was physically wrecked for 2-3 days following.


Bottom line: I was giving a lot more than I was receiving, I was becoming resentful of that, and I was not really that invested in the whole thing. It was time to step back. I left on good terms, and have volunteered to set-up and run the sound system for upcoming kirtan events.

Shankara has gathered a new group of musicians, and is getting ready for a Kirtan on October 12. You can keep track of the group on Facebook, here.




It was way back in 2007 that I stepped shyly to Shankara and mentioned that I played guitar "just in case you need someone" - we've had a long and fruitful musical relationship, and it re-awakened my own musical passion that eventually evolved to coming back to the bass and joining the Guinea Pigs. But it was time to move on. Hopefully, Shankara has benefited with renewed energy and ideas from his new ensemble. I'm still trying to figure out what is next in my life - and stepping back from kirtan was one place I'm "making space" for something new.....

August 30, 2013

Late Summer Consumerism

For whatever reason, I returned from a week of camping (Falcon Ridge Folk Fest) and a week of Camp, and decided to go on a buying spree. No "change of season" clothes shopping, of course (that would be way too normal), but rather some tech / audio gack. Specifically:

  • A 50' audio snake (12 in / 4 out / XLR)
  • (2) 50' power cables (1/4" in and out)
  • (4) each, XLR to 1/4 adapters (M-F and F-M), to use the snake for instrument feeds if needed
  • (3) passive direct boxes (again, to use instruments with the snake)
Not actually sure why I bought all this stuff; doing sound for Little Ugly a few weeks back was fun and I'd like to do more of that, the snake especially will come in handy for kirtan sound (I've stepped back from playing kirtan but will be running the sound for WHY's kirtan in October and December), and I am sure it will come in handy with the Guinea Pigs at some point.

In addition, I've got some textured plastic "sunshade" material coming - the late day sun streaming into the living room with the door open has been a problem this year (as well as the neighbors seeing in) so I plan to put up some panels on the front porch. Might help with wind screen as well. And the roll of material is big enough that I might try to fabricate and mount some UV screens for the south facing yoga room windows and sliding glass door onto the deck. 

June 28, 2013

Affirmed and Disappointed

My beloved Guinea Pigs played a gig yesterday at Billings Forge Farmers' Market. It's a lovely, small urban market, on Broad Street in downtown Hartford. There were a half dozen or so local farms, some products and crafts, and a handful of food trucks (including my fave, G-Monkey, from which I procured a hearty serving of cold peanut soba noodles, yum!)

We've played this particular market the past few years and it's always a fave for us, with friends and fans stopping by, and folks from the local arts and business community stopping in for lunch or their dose of fresh produce. The market itself serves the local community by accepting SNAP / WIC benefits for fresh local food, and doubling their value for produce purchased at the market (which admittedly does sell for a premium compared to the local mega-supermarket, not that there are many of those in Hartford)

I was affirmed a bit yesterday - a young woman who described herself as a "yoga newbie" recognized me from the studio, and perhaps seeing a free-spirit, artistic side of me that I rarely admit or see in myself, commented that "I need to get more creative in my life". Whatever stories I happen to be telling myself about who I am and how I live my life, I rarely would call myself creative or artistic. Yet this young woman, with her simple "I wish I were more like you" musing, held a mirror up to my own life, especially the choices of the past decade or so. It was very sweet and affirming.

And I was disappointed yesterday. I serve and belong to a "community" through my yoga practice, yet I can count on one hand the times a friend from that world has taken the time to support me, to come see my band play. Occasionally people stumble across me, but only 1-2 times has someone come specifically to see us. I know we're mostly east of the river, so when we do come to this part of town, I guess it sparks a little hope that "this time I might see a familiar face" of the 100s on my Facebook friends list. I'd guess that fewer than 2% of the locals on my 480+ Facebook friends list have ever come to hear me play despite my sharing every single gig since 2010.

I need to look at that a little. Part of it is certainly my own compartmentalizing my life / lives - with separate communities for music, for yoga, for GLBT, for ballooning, with a handful of people, events, and venues that overlap. Part of that is my own strong nature and ability to stand on my own two feet without a lot of support - the folks with needs and crisis and struggle seem to attract and receive both attention and love. And part of that is the complexity of boundaries and relationships in a world where I am teacher, student, client, friend, and employee, and pull back a bit to keep from getting enmeshed in drama.

But over and over, that part of my world continues to break my heart. 

May 09, 2013

Dear Guitar Center

Are you particularly unhelpful and condescending to all your customers, or just the women? Here's my story.

I get a call this afternoon from the yoga studio. A national yoga teacher is coming in to town, and a week after I inquired as to his A/V needs (and being told "some place to plug in an iPod"), I get the word - he needs a lavalier mic. For tomorrow. Too late to order something online - we have a very high end wireless headset (one of those thin wire systems they use for theater) but hey, we can get him a lav, no problem. The studio owns an Electro-voice wireless rig, I hoarded (from the "to be tossed" pile at the studio, that's how I roll) an Audio-Technica rig, and I own an el cheapo NADY rig. If I could score a lav mic for any of those, I'd be set.

I wander over to the Guitar Center website, and find a whole pile of low cost wireless lav set-ups - a good 10 or so under $200. So I decided to truck over there, might just be easier to buy an entire rig. Called en route, and was told by the dude $300 - $600, and when I asked about the lower cost ones from the website, was told "too much trouble to stock those". OK, I'll ride over to Manchester anyway, see what they got.

When I got there, I said "I have three wireless belt packs from three different vendors, do you sell mics?". "No, they are device specific, we don't stock those", and then proceeded to show me a Shure system for $300. As I scanned the display rack for options, I see an Audio-Technica lavalier mic hanging there for $99. "What about the Audio-Technica mic, right there?" must have been a blind spot because the guy refused to see it at first, then when he did, worked hard to convince me it would not fit my Audio-Technica belt pack.

It does, however, fit, and works just fine.

That did not stop him from offering me the $17 service contract (no thanks, I know those things are gravy for the shop) and then cutting that it half (again, no thanks, its a mic we'll be lucky to use 4x in the next two years).

::sigh:: this seems to happen every time I walk in the door over there. GSWF - Guitar Shopping While Female. Never mind that I was patching together MXR effects boxes before the kid at the desk was born.

Just checked, and I guess the Guitar Center has opened a shop in Southington (sad for the Music Shop, one of my favorite little gems). With any luck the staff there will be a bit more helpful, or at least I'll burn less gas to get annoyed.

April 26, 2013

When Things Go Right

Took a few hours last night to go see Robin Lane at Whole Foods Glastonbury.

Now, I last got to see Robin Lane perform around 1981. I was a student at Worcester Polytechnic Institute (WPI) which had a pretty decent rotation of musicians and performers in my four years there. Robin Lane and the Chartbusters was a regionally hot, on the verge of breaking through kind of group, along the lines of Blondie or The Pretenders. I picked up their self titled debut album on vinyl, which followed me around for many years, until one final vinyl purge (everything went except for Springsteen and the Roches - strange bedfellows to be sure). But a few years back I picked this album up on CD.

Thinking back, I spent many hours with this album cued up on the turntable, figuring out the chords and the riffs. I must have worn that record out because to this day I still remember the lyrics and I bet if I spent a moment, the chords and riffs are still in my fingers. It was perhaps my first experience of connecting to a local musician / band that is perhaps not on the national scene, a habit that has lasted throughout my life.

Here's Robin Lane and the Chartbusters  at the Rathskeller (aka "The Rat") in Boston, a venue far cooler than the WPI gymnasium.



So, Robin Lane came to Whole Foods. She's been off the grid for many years, but has a new project called  Song Bird Sings, subtitled "Healing Trauma One Song at a Time". Their mission:
It is Songbird Sings mission to transform those silenced by domestic violence enabling them to give voice to their experiences and emotions through songwriting and creative collaboration in a safe, enjoyable, and structured environment. To help participants to learn inner strength and resilience as they come to trust themselves, and others, while building support systems between those with a shared history of trauma.
It was such a pleasure seeing and hearing Robin. She lives in Western MA and plays house concerts and small gigs, and I hope I'm able to attend (or perhaps even held to arrange) one in the future. She did a mixture of old rockers and newer, folkier numbers, as well as some songs from the A Woman's Voice album. (which I picked up at Whole Foods but the CD was not in there.....grumble). Abetted by bass player John Pfister, a couple of Whole Foods percussionists (Callem and......?) and multi-instrumentalist Jeff Chen from Them Damn Hamiltons (on keyboard), she was...in a word, delightful.

Here's Robin in the 21st century:


It was a wonderful look back into my past, fondly remembering my misspent youth. Robin and I - we are aging well. As a bonus, my fellow Guinea Pigs Sandy and Dan dropped in for a listen - it was sweet of them to come share the music and my passion for this particular artist.

February 23, 2013

Midnight Radio

Woke early this morning; a fortuitous opportunity to listen to a friend DJ on WWUH 91.3. You can follow her on twitter (and witness our shameless "we're the only ones up at this time" lovefest on twitter @punkrockcabaret and @scenicroot)

Reminds me of other days. During ballooning season, I'd stumble across her show while getting dressed, and heading to the early morning launch site. And back in high school, working the 11-7 "close open" shift at McD's (when McD's actually closed) I'd listen Boston's progressive rock WBCN. I love that in these days of iTunes and Pandora and Spotify, someone is out there sharing music the old fashioned way - over the air.





February 15, 2013

Music and Arts Update

There's a bunch of music, social and arts events coming up on my personal horizon:
Hold my calls....

December 05, 2012

Neil Young: Still Rocking

Way back in 2006, I saw Jonathon Demme's Neil Young biopic Heart of Gold. I blogged about it back then:
I thought how blessed Neil Young was to go toe to toe with mortality, to survive, and to be wise enough to throw his own goodbye party / concert and to film it. May we all be so fortunate.
Little did I know that Neil Young would survive his aneurysm survey, and keep right on rocking. And I was fortunate enough to see him as he came through Bridgeport (Webster Arena) last evening.

Now, Neil Young and I go way back. I thing I wore the grooves down on my Life Rust album (remember double albums?). I owned an erratic sampling of his works on album and cassette: his self titled first, Everybody Knows This is Nowhere, American Star and Bars, Re*actor, Trans, Landing on Water, Freedom.  And when I made the jump to CD, I've picked up a bit over the years: Everybody Knows This is Nowhere, Rust Never Sleeps, Decade, Life Rust, Sleeps with Angels, Mirror Ball, Ragged Glory. Not canonical by any means, but a good sampling.

And as an angry young rocker, Neil Young was an icon. Needle and the Damage Done was part of the walking D acoustic trilogy (also, Willin' by Lowell George and Friend of the Devil by the Grateful Dead). A guitar, and amp, and the right effects pedal, and one could blast out the riffs to Hey Hey, My My. Every band I've ever played in had some Neil Young in the set list - Powderfinger, Hey Hey My My, Like a Hurricane. Even today, the Guinea Pigs play Cinnamon Girl.  Neil Young's music is nothing if not messy, emotional, heartfelt.

First thought: Is that the set from Rust Never Sleeps? Indeed it was. No idea if Crazy Horse gigs have had this set all along, but dude - that album came out in 1979, the year I graduated from high school. And yet, here it still is, 30+ years later.  It was both reassuring (some things never change....they stay the way they are....) and kind of sad.

Similarly, the intro to Needle  and the Damage Done (with the lightning graphics and sound, and the Woodstock "please get off those towers...no rain" recording) was straight out of Live Rust. For someone who often obstinantly refuses to play the greatest hits (the folks behind us were kvetching about previous concerts where he did nothing old or classic), Mr Young is awfully faithful to the past.

And there were Greatest Hits - Mr. Soul, Hey Hey My My, Cinnamon Girl, Powderfinger, Needle and the Damage Done were all woven into newer material. It felt a little polarized - old FM classics or brand new material. Not a lot of middle ground, mining the many albums of material out there.

I was struck by a certain level of goofiness, bordering on surrealism, that infused the concert. The big amps and microphone, and the video monitors (trimmed out to look like 60's TV sets hung in the arena) reminded me of a bunch of kids playing in the basement - Neil and the band (with the exception of the keyboard player) hugged the center of the stage, facing inward towards each other as if avoiding eye contact with the audience. This was their fun time playing, and we got to watch and listen, if we dared.

Their set opened with the National Anthem (dude, you are Canadian, right?) complete with flag unfurled behind the band - serious or making fun? Hard to say. During one song, an old pump organ was rolled out on stage, and when the short organ instrumental rolled around (played by the keyboardist on a more modern instrument) the old pump organ was spotlit, unplayed. At one point, the roadies crumpled papers and bags in front of a fan, blowing across the stage for no real reason other than perhaps the joy of watching things blow across the stage. You get the feeling that maybe back in '75, someone decided to screw with Neil and send stuff blowing across the stage via a cooling fan, and they decided to keep the bit. There was a lot of that going on. Like some weirdly serious, weirdly comic ritual that has evolved over 40 years - nobody knows why they are doing all these things, they made sense once upon a time.

Me at 51 is a far different person than me at 18. I grew tired of the endless guitar riffing, and the prolonged (10 minutes maybe?) of messing around with feedback and sonic blasting.  I wanted a little more song and a little less riffing. But, 35 years down the road Neil Young is still rocking it out. He was up there amusing himself in 79, and he's still up there amusing himself today. We can choose to come along.

The second song in was the anthem Powderfinger - and it was like I was scratching a 35 year old itch to hear the song played live, after playing it so often in my own basement rock past. It did not disappoint.

Jonathon Demme has a follow-up film (Journeys) - part of an accidental Trilogy - and I need to see that. 2006's Heart of Gold was amazingly moving. But for now, I'll let the ears ring and the energy settle. Glad I finally got to see Neil Young and Crazy Horse.

October 26, 2012

Springsteen in Hartford

Made my occasional pilgrimage to see the high priest of Rock N' Roll, Mr. Bruce Springsteen, last night at the XL Center. I went with Robert and Kristen (my frequent Bruce companions) and Robert's daughter Devon, for her first arena show and her first Springsteen show.

Anne Haines did us the solid of recording the set list; I've been a twitter follower of hers for a while (and have been keeping up with the tour as a result) - wonderful to have the list in front of me as I recall the show.

Mostly, it felt a little like hanging out with old friends who kept pulling oldies but goodies out of theur hats and giving them a whirl. Songs I never expected to hear live again included Held Up Without a Gun (the opener), Spirits in the Night, Incident on 57th Street (a request), For You (a request, solo on piano). Lot of stuff from Wrecking Ball, a whole lot from The River, and a healthy dose of the classics - Badlands, Tenth Avenue Freeze Out, Born to Run. No Rosalita, no Jungleland, no Thunder Road.

I think my favorite song pairing was Point Blank and Because the Night - I go back far enough to remember when Point Blank was unrecorded and Because the Night's Patti Smith bona fides made it a real treat (although I kind of would prefer her take on it, I'm liking it a little darker)

I only cried a few times - Wrecking Ball (that whole coming to the end of the road thing), the Rising (with it's 9-11 imagery and energy), and Land of Hope and Dreams (gotta love a little come to Jesus revival moment!)

I was surprised that Bruce said not a word about the election - not even a "get out and vote" message - maybe he knew that with the aging frat boys in the house, the hall might go for Romney. He did plug Foodshare Hartford, though, so I will too!

Not much else to say. Was an awesome show, as they all are. We were in some reasonably bad seats - halfway up the second level on the side. Sometimes ludicrously bad seats (behind stage, or last row, all the way back) are more fun.Once upon a time Bruce could take an arena down int silence with just a gesture - but there were a lot of not-so-true-believers in the house (the couple next to me sat through most of the show and left after Born to Run) - so there was a lot of chit-chat through the quiet songs (come on dudes, it's Bruce and a piano playing For You - when are you ever gonna hear that?).

There was a nice tribute to Clarence (mostly) and Danny (a bit) in the middle of 10th Avenue Freeze Out that was very sweet, and Clarence's nephew Jake Clemons did an amazing job of filling his late Uncle's shoes - both technically and energetically.

Mostly though, I am thankful that my self-employed lifestyle means I could sleep in a bit today - unlike my fellow travelers (teacher, student, and corporate gig). Need to gargle a bit before I teach today - my throat is a bit raw from the singing, the yelling, the beers, and the hours.

July 06, 2012

Bridge Street Live

Quickie post. I finally made it up to 41 Bridge Street / Bridge Street Live in Collinsville. Zippy (remember him? we're still friends though we no longer cohabitate) wanted to see the Sierra Leone Refugee All-Stars, and since he's not great at night driving, I volunteered to tag along. He takes care of my dog, Elo, when I travel, so it's a good trade.

First off, Bridge Street Live. What a lovely space to see live music! Cabaret seating (last night, anyway, I imagine they change it up for different shows), efficient bar service with drinks and munchies, a great stage with pro sound and lights. It was everything one wants in a concert venue. And clean - even the rest rooms were spotless and new. Much has been made of the Infinity Music Hall in Norfolk (and with good reason, they have great music coming through) - but this place has better seating, and is a heck of a lot closer. Although they seem to be a bit more eclectic / blues in their booking, I see faves such as John Gorka, Patty Larkin, NRBQ, Ellis Paul, and Chris Smither on the calendar. Highly recommended!


The Sierra Leone Refugee All-Stars - not someone I would usually seek out, but Zippy is wonderfully eclectic in his tastes, and the group was a winner. Engaging, dancing, uplifting - the sound bounced somewhere between reggae inflected and the music that Paul Simon brought to the public eye with Graceland. I was particularly struck by the  guitarist who played his left-handed Gibson SG strung upside down (not a right handed guitar, the knobs were in the right place, although one can imagine he learned to play a right handed guitar upside down). The resulting sound was so characteristic to African music that I have to wonder if playing a guitar strung this way is common or customary in Africa.   

June 14, 2012

Live Music:

Wandering out to a new (to me) space this evening, The Outer Space, in Hamden. Usually just a bit outside of my cruising zone, but a friend wants to go and I'm happy to co-pilot. 

A triple bill tonight: Jill Sobule, Chrissy Gardner, Daphne Lee Martin.

I do not get outside my comfort zone often, musically - tonight with a new (to me) venue and three new (to me) artists, it ought to be fun!

June 04, 2012

Who I Am Waiting For

It's been a long while since I sat in the crowd at a kirtan. Years ago, I sat in the audience at West Hartford Yoga as Shankara and Friends played and I was deeply moved. It was not long after that I found myself at Shankara's side, playing guitar and bass, in that same ensemble, where I have been ever since. And although playing kirtan has its own rewards, there is a bit of loss there too, as one needs to maintain enough identity to keep the chords flowing, follow the leader, and play together as a group.

Yesterday, the grand-daddy of kirtan chanting in the west, Krishna Das (KD), was in town, for a special workshop at Temple Beth El, sponsored by West Hartford Yoga.  I was still on the inside a buit - got there early and worked the set up and crowd control (300+ people came, KD was running a little late, and a thunderstorm blew through just as the long line of people was being let in). But once KD started the workshop, I was on my cushion, in the crowd.

It was an atypical KD event - with a bit of chanting on either end, bookending some reflection on his path, and his guru, and a lot of questions from the audience. Diehard kirtan fans, just there for the music, may have felt cheated, but for me, it was perfect. Kirtan can be draining, and for whatever reason the middle period of reflection and speaking gave me just the right amount of percolating.

So when KD started his final chants, I found myself warming, and falling into the familiar trance of sound, chanting, moving. All very lovely, anticipated and welcomed. But there was a surprise waiting for me. For some reason, all that talk, all that Q&A, primed the pump, so to speak. So when the chant was over, and KD set up his last song, I found my heart splitting wide open, and I found myself sitting in a bubbling pot of tears, laughter, smiles, and embrace that I have found within Direct Experience. Yep, Jude got herself a little bit enlightened yesterday. Wholly unexpected, wholly delighted. So if I kind of looked through you yesterday, or had that kirtan stoned glazed over experience - well, know you know.

In the midst of it all, incredible laughter. I've been cleaning my life up. The 21 day detox cleanse that I have recently completed seemed to trigger a cleaning and organizing frenzy - I have a little notebook on my coffee table that I've made lists of little chores - clean the fridge, vacuum the stairs, etc. and I have been successful at knocking them out. My home has gone from a mess of dog fur, clutter, and mild chaos to peaceful organization. I'm so far down the list that the last few items I have crossed off - replace batteries in smoke detectors, clean out the little plastic cart housing dog supplies and treats, buy a new spice rack and put the spices out of site - were almost invisible in terms of benefit, but satisfying to complete anyway.

After my first enlightenment intensive (and direct experience) I came home to my old place in Hartford, looked around and clearly saw every single spec of dust, clutter, and grime, and thought "who lives here?" I spent hours cleaning that day, the mess grated on my newly opened eyes and mind. So in retrospect, it makes sense that after a solid week or so of inexplicable cleaning and preparation, I was getting ready for something big.

And just yesterday, before the kirtan, I was joking with my friends that I had two theories about the cleaning - that someone special was going to come into my life, or that I was going to die and did not want my friends and family to find me living in squalor. In reality, both theories were true. The "someone special" is, of course, ME! As I sat in my little bubble of bliss, as KD played, tears streaming down my face, I felt the love that all this cleaning and making beautiful has made visible. And, for those who have had the joy of a direct experience, it is, indeed, a small death, as the self collapses and the wall between who I thought I was, and the rest of humanity, the rest of life, and the rest of the universe comes down around my ankles.

The Zen saying goes "Before enlightenment, chop wood, carry water. After enlightenment, chop wood, carry water". Everything changes, nothing changes. I'm sitting in my basement office, the one space in this house that has escaped the cleansing wrath and remains a bit of a mess. It's on the list, trust me, and I'll get to it, I am sure. My big client is back in town and the short hiatus of engineering work is over as his work starts trickling in. I'm back in front of the room for my beloved 9:15 All Levels class this morning.

But, a wholly unexpected, delightful and delicious day yesterday. Summer of 2012, I'm here, ready to play, to love, to laugh, to feel. Come and get me :)






May 31, 2012

If You Can't Find Something To Do This Weekend...

...you are not trying very hard. Here's a short list of things I am aware of, I am sure there is much more to choose from.

Blues: Friday Night, June 1 is the annual Black-eyed and Blues Fest in Bushnell Park, sponsored by Black-eyed Sally's. ABSOLUTELY FREE.  More info....

Alternative Rock: A plug for my friends at Little Ugly - they are playing the Firebox Restaurant (at Billings Forge) on Friday @ 9:00 pm

Poetry: This is the kick-off weekend for the Sunken Garden Poetry Festival, at the Hillstead Museum in Farmington. Poetry and music all weekend long, starting Friday night.

Spirituality: Something new this year, the 2012 Creative Spirituality Fair, in East Haddam is going on Saturday. June 2. All sorts of yoga, healing modalities, energy work, music, arts, food and fun.

Queer Film Fest: The annual Gay and Lesbian Film Fest - Out Film CT - starts this weekend, at Cinestudio. The festival runs June 1- 9, with some big social events planned for apres cinema on the opening night, closing night, and mid fest. A lot of interesting looking films, with several premieres.

Krishna Das:  Kirtan and workshop on Sunday, June 3 in West Hartford, sponsored by West Hartford Yoga.

That's just a start, bet there are many more events happening as we kick off the first weekend of the summer season. Get out there and enjoy!