Quite a delicious production. The usual gender swapping of the play (Viola disguising herself as a boy Cesario, and being taken for her brother Sebastian) was abetted by gender swapping two key parts - Malvolio (written male, played amazingly and heartbreakingly by Tamsin Greig) and the clown Feste (Doon Mackichan).
Gender was not the only game in town, with several male relationships leaning to or perhaps crossing over into the sexual, and the fourth wall coming down a bit as Greig includes the front row seats, and Daniel Rigby's Sir Andrew struggles with (and marvels at) the amazing rotating, three dimensional set and all of its various doorways, trapdoors, and contrivances. Reviews of the play on The Guardian, Time Out, and the Telegraph.
One struggle I had was the casting of black actors as Viola / Sebastian (the only two principal POC) and it seemed a little tone-deaf - do they look alike to a mostly white audience? I'd have much rather seen a more uniformly diverse cast and a pair of siblings that were a little more playfully similar looking (a metrosexual Sebastian and a butchish Viola?). And this may be the play itself but when the sibling reveal comes, I had not gotten enough sexual tension between Orsino & Viola / Cesario and Olivia's love transferred to Sebastian seemed unconvincing.
That being said, definitely worth seeing the encore performances (Cinestudio on April 16th). I love Shakespeare live when I can see it but the National Theater Live livecasts are the next best thing!