Remarkable how familiar this stuff is - I'm sure it's been ground into my subconscious through a thousand repetitions - on FM radio in high school and college, later in grocery stores, elevators. It was truly ubiquitous. In a 2003 interview:
Q: You are both longtime jazz devotees. Does it cause you any consternation that Steely Dan has been embraced in recent years by “smooth jazz” radio, one of the most vapid formats extant?The funny thing is, I think I'd probably dig the songs a lot more if I heard the demo version (less laid back, stripped down, less polished) or if someone put together a compilation of covers by punk / blues / folk leaning artists.
BECKER: “In a way it’s ideal. The more of what our music does violates the premise of its format that it’s presented in, the better. So, hearing our music in the supermarket, a Muzak version, is great. Don’t you think? I always feel fulfilled by that.”
Rest of the interview here; it's pretty interesting.